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The Women In My Home - Marcia Mendieta Estenssoro

The poem La mujeres de mi casa by the Bolivian poet Marcia Mendieta Estenssoro.



Las Mujeres de Mi Casa

The Women in My Home

Las mujeres de mi casa

se visten de risas certeras:

 antídoto sutil

para sobrellevar el calor de los días de verano.


Su risa las lastima

cuando olvidan sacar de la alacena

los deseos baldíos

los frascos de amargos brebajes

la lluvia punzante del invierno

y las heridas cosidas con sal.


Las mujeres de mi casa

pronuncian idiomas cercanos

con ritmos distintos.


Defienden su fe

con fe

y ahuyentan sus miedos 

con miedo.


Las mujeres de mi casa

se creen inmortales

porque han descubierto 

la receta para andar livianas

aun cuando cargan con añejas memorias

en bolsas de viaje.


Se reconocen poderosas 

por esa extraña costumbre

de hacer temblar la casa 

y en instantes 

volverla a construir.

The women in my home

wear accurate peals of laughter:

a subtle antidote

to the heat of the summer days.


The laughter hurt them

when they forget to take off the pantry

the empty desires

the potion bottles of bitter taste

the pungent winter rain

and the wounds healed with salt.


The women in my home

pronounce similar languages

with different rhythms.


Protect their faith

with faith

and scare away their fears 

with fear.


The women in my home

think they are immortal

because they discovered 

the recipe to walk lightly

even when they carry old memories

in travel bags.


They recognize themselves as powerful 

due to the weird habit

of shaking the house 

and in a wink 

reconstruct it.


Note: English version available in this post is a loose translation from the Spanish version of the text .

 
Hugo Jamioy, Colombian writer, South American poets, Native American poet
About The Poet

Marcia Mendieta Estenssoro (1992) is a Bolivian poet from Santa Cruz de La Sierra and part of the poetry workshop "Llamarada Verde". She has a degree in Creative Writing and launched the poem collections: La casa que nos habita (2017), qué más queda cuando (2022), El cuerpo es una válvula de destrucción (2019).

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